Recent Artwork

Detroit


Abandonment of the real for life in the intangible reality of imagination and memory

Since arriving in Detroit I’ve heard the term “ruinporn”, which I assume fits into the other fetish porn categories of clouds and food. This was brought to my attention after I photographed and editing the epic American ruins of Michigan Central Station.

During Beauty Debate I began to hear local Detroiters’ perceptions of outsider ruinporn photographers. Did I step on toes by photographing this marvel of detritus? No. The debate (within a debate) of ruinporn tourists was both about exploitation of locals who lived in “ruins” and of the unspoken staked claim on photographing ruins by Detroit photographers and tourists. A flag has been planted, and a decry to the photography community “these are our empty buildings, hear our shutter.” It is completely possible that I’m exaggerating an opinion which was already inflated for the audience’s enjoyment. During the debate I was led to an art idea.

Building upon some of the formal experimentation I have been honing, this idea combines juxtaposed images in frenetic motion while presenting a larger image slowly moving. More research is now required, but I’m wondering about applying this to Detroit. I’m interested in showing the structural fragmented breakdown and structural solidity to these ruins and to the cultures of the city.

Beauty Debate

Beauty Debate!

Click here for the original post on Huffington Post’s website

Two events planned this week aim to make Detroiters think about beauty in art — and find some of it to admire.

“Beauty Debate,” the first annual invitational art show organized by the arts website The Detroiter, opens Saturday at the Art Effect gallery in Eastern Market. It comprises work by 18 artists, some familiar in Detroit, and others coming from New York, California and farther-flung places.

While the show will let art lovers make up their own minds about the role of beauty in art, Wednesday night’s accompanying panel will come closer to a real “debate,” engaging artists and critics in a discussion to provide a thought-provoking introduction to the gallery show.

The panel will be moderated by “Beauty Debate” curator and Detroiter Editor-in-Chief Colin Darke and will include artists, critics and curators from WDET, the Detroit Institute of Arts, College for Creative Studies, the Detroit News and the John S. and James L. Knight Foundation. One of the panelists, Hrag Vartanian, who runs the art site Hyperallergic, will join the panel from New York on Skype.

For the show, Darke said he chose artists whose work and style are completely individual. To him, individuality equates with beauty.

“If an artist is pushing himself, you appreciate that,” Darke explained. “I see beauty in terms of someone being truly unique and capturing a unique vision.”

Darke noted Topher Crowder, one of the featured artists, as someone who captures that uniqueness.

“A lot of people wouldn’t consider his work beautiful … [but] it really knocked me off my feet,” Darke said. “It’s kind of distorted and disturbing … because of the intricate detail, it fascinates.”

Emerging artists from across the country are bringing work in all media to “Beauty Debate.” They include Vince Cacciotti, Brian Barr, Tim White-Sobieski, Elle Deadsexicon, Man Bartlett, Judith Hoffman, Lauren Rice, Bryant Tillman, William Irving Singer, Ron Zakrin, Geno Harris, Carla Gannis, Man Bartlett, Stephen Maine, Clarina Bezzola, Ashley Zelinskie, Matthew Davey and David Gerhard.

“They either use materials differently, or have an outlook on life that resonates through their imagery,” Darke said of the artists. “Most of them do touch on physical beauty, but that’s still in the background — in the foreground is just this look at life that kind of shifts your perspective because its something very new and fresh.”

Working as a curator, Darke said he was influenced by his own process as an artist, but it was important to him that none of the work in the show reflected his own aesthetic.

“I research each artist and picture them in a circle, how they interact with each other, as if I was creating an installation piece,” he explained.

Darke also said he tried to steer clear of work that evoked an aesthetic that has often been attributed to Detroit, such as using found objects or industrial imagery. Instead, he focused on artists’ individual voices.

The show begins Wednesday with a charity preview ahead of the general opening, with some proceeds going to support a writing fellowship for a volunteer writer for the Detroiter website. Both the fellowship and the Detroiter are supported by Y Arts.

Charity preview attendees will be tempted with an array of food from local restaurants and a fashion show featuring bathing suits from Grosse Pointe’s Morada Blue Swimwear. Darke said the fashion show melds well with the figurative art work included in the show.

“[It's about] just appreciating human beauty,” Darke explained.

Although considering the theme of “beauty” is one way to approach and interpret the work in “Beauty Debate,” Darke said his intentions when choosing pieces for the show were much simpler.

“The primary focus is having great artists all in one place so people in Detroit can see them and find some new favorites,” he said.

The “Beauty Debate” panel is Wednesday, Feb. 29, at 7 p.m. at the Boll Family YMCA, 1401 Broadway Street, Detroit. The “Beauty Debate” show, which runs March 3 through April 21, opens Saturday with a charity preview at 6:30 p.m. and general event at 8 p.m. at the Art Effect Gallery, 1420 E. Fisher Fwy., Detroit.

The panel and show during regular hours are both free, and suggested donation for admission for the charity preview is $25. For more information about the show, artists, panelists and gallery, see the Detroiter and Art Effect Gallery’s websites.

Behind tinted lens

#nothingart #appsperiment

Awaiting reply

Another #iphoneart #appsperiment

Contemplating Digital Spaces

Recently I began to contemplate the identity and digital space. Some argue that digital spaces remove our identity (at least the physical). I wonder if the digital space requires identity, and our awareness of the physical is released in a similar manner as when we become engaged in any media or manic activity. A dual awareness is created, where we exist in both spaces.

Additional reading/artists to consider:

Yorgo Alexopoulos has multimedia video instalations

Also consider texts on Cyberfeminism.

#decim8 plus #painting

The original source material came from my recreation of a Rembrandt etching, combined digitally (via iPhone art) with a 1970s ad from a Time Magazine. I made a variety of digital versions until I came to a composition that deemed appropriate for painting.

Here’s the first step, which has since ceased to exist as I’ve painted over in continual development. I have combined my painting with a mirrored effect using the Decim8 iPhone app.

More progress on the #litho #drawing